Weekly Brush Bristles … Thomas Gainsborough and portraits

The Painter’s Daughters with a Cat (unfinished), Thomas Gainsborough, 1760-1761.

I’ve taken an interest in Thomas Gainsborough’s work, mainly because he held a studio in my hometown of Bath, England. He was known to rather tire of undertaking portraits for the gentry, through which he made a good living, quipping: “this curs’d Face Business…..”

That said, he lovingly painted a series of family portraits, on show at the UK’s National Portrait Gallery: https://www.theguardian.com/artanddesign/2018/nov/19/home-is-where-the-art-is-margaret-drabble-on-gainsboroughs-family-portraits

Perhaps Hockney was right to advise: “It is very good advice to believe only what an artist does, rather than what he says about his work.” !!

Break-a-Brush!

David


“Confound the nose, there’s no end to it!” Thomas Gainsborough