Break-a-Brush May Newsletter

Almost Summer, Oil, 8″x10″

Summer’s coming!

Seems like we are emerging into a new normal. We’re certainly in catch-up mode and our summer plans are in flux. We are taking the opportunity to develop new programs, beginning this Fall – both in-person courses and also with a continuing strong virtual presence.

Since publishing Eighteen Pieces last fall (available at the National Gallery bookstore, around town and order direct from us too) we haven’t had much time to focus on new projects. A couple are now gaining traction and we’re looking forward to letting you know about them in the future!

Virtual Launch of the new e-book version of “Eighteen Pieces”

Eighteen Pieces was published last November. Join us in celebrating it’s 6-month orbit and the virtual launch of a new e-book version: David will talk about the story behind the book and read a passage or two.

When: Wednesday, June 1st, 2022
Time: Live via Zoom 1:00–1:30 p.m. Eastern / 10:00 p.m. Pacific – Attend live or access the recording!
Cost: No cost
Register: By email to france@davidkearn.com and we will send you the link

Sheila Bell’s Mural on display at the Ottawa School of Art

Sheila’s latest project – a mural for three generations – is on display in the OSA lobby, 35 George St. until May 27. Congratulations Sheila!  

Florence McGillivray 1864 -1938

Somehow, my eye had missed this prolific painter and educator who was influential in early twentieth century art, and contributed to the Canadian modernists movement. She mentored Tom Thomson. Tom said “She is one of the best”.

Afterglow, c. 1914, Florence H. McGillivray

https://florencemcgillivray.ca/

Andy Warhol’s Marilyn

….is now the most expensive piece of 20th-century art ever sold: https://www.theguardian.com/artanddesign/2022/may/09/andy-warhol-marilyn-monroe-portrait-auction?

The push-pin system for transporting wet oil canvases

This year I’ve decided to pack my oils for plein-air painting. Transport of wet oil paintings is always tricky, eh!

I’ve been using the push-pin system: The wet canvas is held away from another of the same size, face-to-face with push-pins in the corners, and well taped up. Any impressions from the push-pins in the wet paint can easily be touched up back at the studio.

By the way, the canvas set with push-pins is still in plastic and serves double-duty as my traveling palette.

Break-a-Brush!

David & France