This short course will focus on perspective in a range of real-world environments. Single, two and three-point linear perspective will be covered and perhaps equally importantly, approaches on when to follow the rules and when to bend them. The role of composition, rendering and colour including atmospheric perspective, will be explained and applied, separately and in conjunction with linear perspective. Instruction and coaching will clarify how perspective helps with various subjects and styles.
| Session | Focus | Description |
|---|---|---|
|
1 |
Principles of linear perspective. | Studies in single-point perspective along with effective visual receding in all media. Artistic practices that interpret theory. |
|
2 |
Two-point perspective. | Expanding linear perspective to handle real world situations. The importance of consistency over perfection. Dividing space in perspective. |
|
3 |
Multiple perspectives, setting the creative tone. | The impact of different viewpoints and approaches. |
|
4 |
Three-point perspective and atmospheric effects. | Drawing and painting in warm and cool and creating atmospheric effects regardless of media. Application of linear perspective to different references and problems. |
|
5 |
Creating living compositions. | Focus on creating interest: use of space, interaction between foreground and background. Opportunities for expression. |
Suggested Materials
For drawing: Cartridge paper pad or large sketch book, willow or soft vine charcoal, compressed charcoal, a range of graphite pencils, firm and kneadable erasers. 5 sheets of 60-80 lb drawing paper (15”x 20” approx.), white chalk, 0.5mm (approx.) ink pen, ink wash or watercolour and brush, selection of colour media (Conté crayon, pastel, coloured pencil or watercolour), bulldog clips, tissues, masking tape, plumb line, mirror, viewfinder.
For painting: Acrylic, Oil or Watercolour: Cerulean blue, ultramarine blue, cadmium red, Alizarin crimson, cadmium yellow, lemon yellow, raw or burnt Sienna, yellow ochre, raw umber, Paynes grey (watercolour) carbon black (Acrylic & Oil), titanium white (Acrylic & Oil), a little opaque white (Chinese or similar for watercolour) painting medium/oil and odorless solvent (for Oil), medium (gel or regular) plus retarder (for Acrylic), brushes, palette, plumb line, mirror, viewfinder. Support/paper of choice.
Students are welcome to use media and materials of their choice to support their individual artistic goals.